When widescreen technology was introduced to filmmaking in 1953, it changed the visual framework and aesthetic qualities of cinema forever. Before widescreen, a director's vision for capturing beautiful landscapes or city skylines was limited by what coul
Harper Cossar teaches media studies in Atlanta. His publications have appeared in Journal of Film and Video, Flow, Quarterly Review of Film and Video, Journal of New Media and Culture, and Film and History: An Interdisciplinary Journal of Film and Television Studies, as well as the anthologies All-Stars and Movie Stars: Sports in Film and History and Convergence Media History.