Searching for a chorus girl’s stag film, Jack LeVine stumbles on a sinister political plot
Like all chorus girls, Kerry Lane yearns to get her name on the marquee. After years of high-kicking, she lands a bit part in a Broadway smash hit which should lead to better things. The only thing holding her back is her past: specifically a series of stag films from her days as a struggling wannabe film starlet. When a blackmailer demands a payoff to keep them out of the public eye, Kerry comes to Jack LeVine. Stocky, sweaty, and bald, LeVine is a Jewish private detective who makes a living by being polite. But underneath his smile lies a bulldog. Lured by long legs and a roll of crisp twenties, LeVine takes Kerry’s case. But before he can speak to the blackmailer, the crook turns up dead. As LeVine hunts for Kerry’s pictures, he finds that the heart of this case is even uglier than greed, lust, or murder. It’s politics.
Andrew Bergman (b. 1945) is a successful comedy screenwriter and occasional author of hard-boiled mysteries. After receiving a PhD in American history from the University of Wisconsin at Madison, Bergman sold Tex X, a novella about a black sheriff in the Old West, to Warner Bros. The studio hired him to turn his story into a screenplay, as part of a team of comedy legends led by Mel Brooks and Richard Pryor. The result was Blazing Saddles (1974), which is widely regarded as one of the funniest films of all time. After that early success, Bergman published the first two novels in a mystery series starring Jack LeVine, a hard-boiled Jewish PI. After The Big Kiss-Off of 1944 and Hollywood and LeVine, he continued writing and directing films, producing such classics as Fletch, The Freshman, and Soapdish. In 2001 he returned to LeVine in Tender Is LeVine. Bergman continues to live and write in New York City.