This image is the cover for the book The Story of Old Fort Loudon, Classics To Go

The Story of Old Fort Loudon, Classics To Go

Excerpt: "Along the buffalo paths, from one salt-lick to another, a group of pioneers took a vagrant way through the dense cane-brakes. Never a wheel had then entered the deep forests of this western wilderness; the frontiersman and the packhorse were comrades. Dark, gloomy, with long, level summit-lines, a grim outlier of the mountain range, since known as the Cumberland, stretched from northeast to southwest, seeming as they approached to interpose an insurmountable barrier to further progress, until suddenly, as in the miracle of a dream, the craggy wooded heights showed a gap, cloven to the heart of the steeps, opening out their path as through some splendid gateway, and promising deliverance, a new life, and a new and beautiful land. For beyond the darkling cliffs on either hand an illuminated vista stretched in every lengthening perspective, with softly nestling[2] sheltered valleys, and parallel lines of distant azure mountains, and many a mile of level woodland high on an elevated plateau, all bedight in the lingering flare of the yellow, and deep red, and sere brown of late autumn, and all suffused with an opaline haze and the rich, sweet languors of sunset-tide on an Indian-summer day."

Mary Noailles Murfree

Mary Noailles Murfree (January 24, 1850 – July 31, 1922) was an American fiction writer of novels and short stories who wrote under the pen name Charles Egbert Craddock. She is considered by many to be Appalachia's first significant female writer and her work a necessity for the study of Appalachian literature, although a number of characters in her work reinforce negative stereotypes about the region. She has been favorably compared to Bret Harte and Sarah Orne Jewett, creating post-Civil War American local-color literature.

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