Trying to help a wronged inventor, a friend of Casey’s ends up murdered
The last thing Flash Casey needs is an apprentice. Turned down by the army because of a bum knee, he agrees to teach a twice-weekly photography class for the American Women’s Voluntary Services. One of his students, whose father just happens to have a lot of money invested in Casey’s paper, asks to tag along on an assignment. Flash can’t say no.
An engineer named John Perry has come to beg for help from one of Casey’s friends at the paper, crusading news columnist Rosalind Taylor. A few years back, Perry invented an industrial lubricant that should have made him a fortune, but his partner stole his idea and kept the profits for himself. Taylor has agreed to mediate for them, and asks Casey along to document the meeting. When Flash arrives, the apartment is ransacked and Taylor is dead. Casey will find her killers, as long as his little apprentice doesn’t get in the way.
George Harmon Coxe (1901–1984) was an early star of hard-boiled crime fiction, best known for characters he created in the seminal pulp magazine Black Mask. Born in upstate New York, he attended Purdue and Cornell Universities before moving to the West Coast to work in newspapers. In 1922 he began publishing short stories in pulp magazines across various genres, including romance and sports. He would find his greatest success, however, writing crime fiction. In 1934 Coxe, relying on his background in journalism, created his most enduring character: Jack “Flashgun” Casey, a crime photographer. First appearing in “Return Engagement,” a Black Mask short, Casey found success on every platform, including radio, television, and film. Coxe’s other well-known characters include Kent Murdock, another photographer, and Jack Fenner, a PI. Always more interested in character development than a clever plot twist, Coxe was at home in novel-writing, producing sixty-three books in his lifetime. Made a Grand Master of the Mystery Writers of America in 1964, Coxe died in 1984.