In The Way of the Cross, Caryll Houselander accomplishes two things: first, by her imaginative re-creation of the Passion and Death of Our Lord, realized with intensity, detail, and depth, she brings a drama of anguish and tragedy to our immediate awareness; secondly, she shows us the Passion reflected in all human suffering. We can no more be detached spectators of the Passion than we can be detached spectators of the griefs and travails of the contemporary world. As Caryll Houselander writes, the part we are called to play is that of Veronica, coming forward to wipe the tears and sorrows from every stricken face we meet. And each time we have the courage and compassion to do so, we find the same image left on the veil. These profound meditations on the Stations of the Cross allow the reader to walk in the footsteps of Christ on that distant yet ever-present Good Friday.
Caryll Houselander (1901-1954) was a lay English artist who became one of the most popular Catholic spiritual writers of modern times. She shared a unique and mystical vision of Christianity and Catholic teachings through her writing. In 1944, The Reed of God, a collection of profound and lyrical essays about Mary, established Houselander as a respected modern spiritual writer in the tradition of Julian of Norwich, Catherine of Siena, and Teresa of Avila. She was the author of more than fifteen books and hundreds of articles while she continued to paint, draw, carve, and teach art to troubled children.