This image is the cover for the book The Superstitions of Divorce, Classics To Go

The Superstitions of Divorce, Classics To Go

Excerpt: "It is futile to talk of reform with reference to form. To take a case from my own taste and fancy, there is nothing I feel to be so beautiful and wonderful as a window. All casements are magic casements, whether they open on the foam or the front-garden; they lie close to the ultimate mystery and paradox of limitation and liberty. But if I followed my instinct towards an infinite number of windows, it would end in having no walls. It would also (it may be added incidentally) end in having no windows either; for a window makes a picture by making a picture-frame. But there is a simpler way of stating my more simple and fatal error. It is that I have wanted a window, without considering whether I wanted a house. Now many appeals are being made to us to-day on behalf of that light and liberty that might well be symbolised by windows; especially as so many of them concern the enlightenment and liberation of the house, in the sense of the home. Many quite disinterested people urge many quite reasonable considerations in the case of divorce, as a type of domestic liberation; but in the journalistic and general discussion of the matter there is far too much of the mind that works backwards and at random, in the manner of all windows and no walls."

G. K. Chesterton

Gilbert Keith Chesterton KC*SG (29 May 1874 – 14 June 1936) was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin.

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