Sweet William
Romantic comedy meets social satire in this delirious novel about sexual freedom versus British tradition in swinging 1960s London.
When dull professor Gerald leaves London for the United States, his fiancée, Ann, is a bit afraid and sad to see him go—never has he looked so handsome and masculine as when he’s about to board the plane. But a few days later at a religious service, Ann is beckoned to sit next to a stranger with yellow curls and a nose like a prizefighter’s. Her heart inexplicably begins to race; she feels like she has the flu. This stranger, William McClusky, tells Ann in his Scottish accent that he is a playwright who will be interviewed on TV the very next day. Furthermore, he promises to have a television dropped by her house so she can watch him! From this first bizarre seduction, Ann is infatuated, and in the days following, William begins to take over her life.
In the throes of the affair, Ann gives up her BBC job, helps a friend get an abortion, encourages adultery, and writes a break-up letter to her fiancé. Her engagement to Gerald had been rushed, after all, and was designed to serve her mother’s desires more than her own. With William, on the other hand, everything feels different. But is this new man really who he says he is? Is he a genius or a fraud, a compassionate soul or a cheater? Perhaps William is simply a means by which Ann can play out her dangerous fantasies and finally take part in the swinging sixties. Only one thing is certain: Now that she’s with him, there’s no turning back.
An ironic investigation into the art of self-deception and the repercussions of sexual freedom, this blend of black comedy and social satire showcases the wit of award-winning author Beryl Bainbridge, and affirms her status as a mainstay in twentieth-century British literature.
Beryl Bainbridge
Dame Beryl Bainbridge (1932–2010) is acknowledged as one of the greatest British novelists of her time. She was the author of two travel books, five plays, and seventeen novels, five of which were shortlisted for the Man Booker Prize, including Master Georgie, which went on to win the James Tait Black Memorial Prize and the WHSmith Literary Award. She was also awarded the Whitbread Literary Award twice, for Injury Time and Every Man for Himself. In 2011, a special Man Booker “Best of Beryl” Prize was awarded in her honor, voted for by members of the public.
Born in Liverpool and raised in nearby Formby, Bainbridge spent her early years working as an actress, leaving the theater to have her first child. Her first novel, Harriet Said . . ., was written around this time, although it was rejected by several publishers who found it “indecent.” Her first published works were Another Part of the Wood and An Awfully Big Adventure, and many of her early novels retell her Liverpudlian childhood. A number of her books have been adapted for the screen, most notably An Awfully Big Adventure, which is set in provincial theater and was made into a film by Mike Newell, starring Alan Rickman and Hugh Grant. She later turned to more historical themes, such as the Scott Expedition in The Birthday Boys, a retelling of the Titanic story in Every Man for Himself, and Master Georgie, which follows Liverpudlians during the Crimean War. Her no-word-wasted style and tight plotting have won her critical acclaim and a committed following. Bainbridge regularly contributed articles and reviews to the Guardian, Observer, and Spectator, among others, and she was the Oldie’s longstanding theater critic. In 2008, she appeared at number twenty-six in a list of the fifty most important novelists since 1945 compiled by the Times (London). At the time of her death, Bainbridge was working on a new novel, The Girl in the Polka Dot Dress, which was published posthumously.
