This image is the cover for the book The Man-Made World, Or, Our Androcentric Culture, Classics To Go

The Man-Made World, Or, Our Androcentric Culture, Classics To Go

In this probing critique of "androcentric culture," pioneering feminist Charlotte Perkins Gilman analyzes with wit and insight the many negative effects of male domination, not only on women in particular but on the welfare of the human race as a whole. Society's long history of male hegemony and female subservience has not enhanced the natural qualities of the human race but rather distorted them, says Gilman, as can be seen in many of society's institutions. In separate chapters she discusses family, art, literature, games and sports, ethics and religion, education, fashion, law and government, crime and punishment, politics and warfare, and industry and economics. In each case she shows how the domineering male influence has caused grievous problems.

Charlotte Perkins Gilman

Charlotte Perkins Gilman; (July 3, 1860 – August 17, 1935), also known as Charlotte Perkins Stetson, her first married name, was a prominent American humanist, novelist, writer of short stories, poetry and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper", which she wrote after a severe bout of postpartum psychosis. Less well known are Gilman's views on race. To solve the so-called "Negro Problem" in the United States in the early twentieth century, Gilman suggested a system of state organised labor she called "enlistment"

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