Hoodlums steal a worthless painting, and Kent Murdock wants to know whyA collection of valuable Italian paintings finds its way to Boston, placed in the care of Professor Andrade. Before passing them to a museum, the professor hires newspaper photographer Kent Murdock to document them. On his way to the assignment, Murdock is stopped by a gunman named Erloff, who steals the reporter’s identification—and pays his own visit to the professor. But Erloff is not after the expensive stuff. He cracks Andrade on the skull and leaves with nothing but a worthless painting of a green-hued Venus. Murdock is perplexed. Why all the trouble for an ugly piece of modern art? But the jade Venus holds a terrible secret—and blood will flow before it comes to light.
George Harmon Coxe (1901–1984) was an early star of hard-boiled crime fiction, best known for characters he created in the seminal pulp magazine Black Mask. Born in upstate New York, he attended Purdue and Cornell Universities before moving to the West Coast to work in newspapers. In 1922 he began publishing short stories in pulp magazines across various genres, including romance and sports. He would find his greatest success, however, writing crime fiction. In 1934 Coxe, relying on his background in journalism, created his most enduring character: Jack “Flashgun” Casey, a crime photographer. First appearing in “Return Engagement,” a Black Mask short, Casey found success on every platform, including radio, television, and film. Coxe’s other well-known characters include Kent Murdock, another photographer, and Jack Fenner, a PI. Always more interested in character development than a clever plot twist, Coxe was at home in novel-writing, producing sixty-three books in his lifetime. Made a Grand Master of the Mystery Writers of America in 1964, Coxe died in 1984.