This image is the cover for the book Quicksands, Classics To Go

Quicksands, Classics To Go

Excerpt: "One sultry September afternoon, some years ago, my brother Ronald and I, being tired and dusty, found a temporary resting-place on the parapet of a little old bridge that spanned a sleepy stream. Through a thin silk blouse a comforting sun beat upon my back, and I was serenely conscious of an unusual sense of happiness and well-being - though I owed little to my surroundings. In all England it would have been difficult to find a more featureless and monotonous outlook than the prospect that lay stretched before us. A series of flat, marshy fields, exhibiting here a space of willowy green, and there a patch of black soil, enclosed by ragged hedges or deep, dark dykes. Occasionally a few lonely and distorted trees, or a humped-up cluster of red roofs, varied the scene, which gradually faded until sky and horizon seemed to melt away into one pale blur. "What a region!" exclaimed Ronnie, as he tossed away the stump of a cigarette."

B. M. Croker

Bithia Mary (or May) Croker (née Sheppard, c. 1848 or 1849[1] – 20 October 1920) was an Irish novelist, most of whose work concerns life and society in British India. Her 1917 novel The Road to Mandalay, set in Burma, was the uncredited basis for a 1926 American silent film, of which only excerpts survive. She was also a notable writer of ghost stories.

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