This image is the cover for the book Freeman's: Power, Freeman's

Freeman's: Power, Freeman's

The “fresh, provocative, engrossing” literary journal explores the nature of power in its various forms with new stories, essays, and poetry (BBC.com).

Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. This thought-provoking issue of the acclaimed literary anthology Freeman’s explores who gets to say what matters in a time of social upheaval.

Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of color walking in public spaces. The narrator of Lan Samantha Chang’s short story finally wrenches control of the family’s finances from her husband only to make a fatal mistake. Meanwhile the hero of Tahmima Anam’s story achieves freedom by selling bull semen. Booker Prize winner Ben Okri watches power stripped from the residents of Grenfell Tower by ferocious neglect. Meanwhile, Barry Lopez remembers fourteen glimpses of power, from the moment he hitched a ride on a cargo plane in Korea to the glare he received from a bear traveling with her cubs in the woods, asking—do you intend me harm?

Featuring work from brand new writers Nicole Im, Jaime Cortez, and Nimmi Gowrinathan, as well as from some of the world’s best storytellers, including US poet laureate Tracy K. Smith, Franco-Moroccan writer Leïla Slimani, and Turkish novelist Elif Shafak, Freeman’s: Power escapes from the headlines of today and burrows into the heart of the issue.

John Freeman

John Freeman was the editor of Granta until 2013. His books include How to Read a Novelist, Tales of Two Cities, Tales of Two Americas, and Maps, his debut collection of poems. He is executive editor at the Literary Hub and teaches at the New School and New York University. His work has appeared in the New Yorker and the Paris Review and has been translated into twenty languages.

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