Excerpt: "Italian humour, says Mr. J. A. Symonds, died with Ariosto; and, in the face of such a declaration, any attempt to bring together a collection of specimens, some of which at any rate belong to a more recent date, would seem to savour of presumption. Yet, even at the risk of differing from such a recognised authority on Italian literature, we venture to think that a good deal has been produced since the age of Ariosto which may legitimately be defined as humour, though, for various reasons presently to be detailed, there are peculiar difficulties connected with its presentation in a foreign tongue It may as well be said at once that the professed humorist, the writer who is comic and nothing else, or, at any rate, whose main scope is to be funny, is all but unknown in modern Italian literature. Strictly speaking, he is perhaps a Germanic rather than a Latin product. The jokes in Italian comic and other papers are not, as a rule, overpoweringly amusing; and if we do come across a book which sets itself forth as Umoristico, the chances are that it turns out to be very tragical mirth indeed. But in novels and tales, even in essays and descriptions, which have no specially humorous intention, you often come across passages of a pure and spontaneous humour, inimitable in its own kind."
Alice Werner (1859-1935) was a British author, folklorist, and scholar known for her work on Italian culture and folklore. She is best known for her book "The Humor of Italy," which explores the comedic and humorous aspects of Italian culture and literature. Her writings shed light on the rich and varied comedic traditions in Italy and their historical and cultural significance. Alice Werner's contributions to the study of Italian humor and folklore have left a lasting impact on the fields of Italian studies and cultural studies. Her work provides valuable insights into the rich cultural tapestry of Italy and the ways in which humor and comedy have played a role in shaping the nation's identity and literature.