Synopsis: The French Revolution had begun by the Taking of the Bastile by the people of Paris on the Fourteenth of July, 1789, but it seemed to have reached the high tide by King Louis XVI, with his Queen Marie Antoinette and others of the Royal Family, leaving Versailles, after some sanguinary rioting, for the Capital, Paris. But those who think, in such lulls of popular tempests, that all the mischief has blown over, make a mistake. Behind the men who make the first onset, are those who planned it and who wait for the rush to be made and, then, while others are tried or satisfied, glide into the crowds to stir them up. Mysterious agents of secret, fatal passions, they push on the movement from where it paused, and having urged it to its farthest limit, those who opened the way are horrified, at awakening to see that others attained the end. At the doorway of a wine saloon at Sevres by the bridge, over the Seine, a man was standing who had played the main part, though unseen, in the riots which compelled the Royal Family to renounce an attempt to escape out of the kingdom like many of their sycophants, and go from Versailles Palace to the Tuileries. This man was in the prime of life: he was dressed like a workingman, wearing velveteen breeches shielded by a leather apron with pockets such as shinglers wear to carry nails in, or blacksmith-farriers or locksmiths. His stockings were grey, and his shoes had brass buckles; on his head was a fur cap like a grenadier’s cut in half or what is called nowadays an artillerist’s busby. Grey locks came straggling from under its hair and mingled with shaggy eyebrows; they shaded large bulging eyes, keen and sharp, quick, with such rapid changes that it was hard to tell their true color. His nose was rather thick than medium, the lips full, the teeth white, and his complexion sunburnt.
Alexandre Dumas (born Dumas Davy de la Pailleterie 24 July 1802 – 5 December 1870), also known as Alexandre Dumas père (French for 'father'), was a French writer. His works have been translated into many languages, and he is one of the most widely read French authors. Many of his historical novels of high adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte of Bragelonne: Ten Years Later. His novels have been adapted since the early twentieth century for nearly 200 films. (Wikipedia)