This image is the cover for the book Ten Tales, Classics To Go

Ten Tales, Classics To Go

Excerpt from introduction: "Among these ten there are tales of all sorts, from the tragic adventure of “An Accident” to the pendent portraits of the “Two Clowns,” cutting in its sarcasm, but not bitter—from “The Captain’s Vices,” which suggests at once George Eliot’s Silas Marner and Mr. Austin Dobson’s Tale of Polypheme, to the sombre revery of the poet “At Table,” a sudden and searching light cast on the labor and misery which underlies the luxury of our complex modern existence. Like “At Table,” “A Dramatic Funeral” is a picture more than it is a story; it is a marvellous reproduction of the factitious emotion of the good-natured stage folk, who are prone to overact even their own griefs and joys. “A Dramatic Funeral” seems to me always as though it might be a painting of M. Jean Beraud, that most Parisian of artists, just as certain stories of M. Guy de Maupassant inevitably suggest the bold freedom of M. Forain’s sketches in black-and-white."

François Coppée

François Edouard Joachim Coppée (26 January 1842 – 23 May 1908) was a French poet and novelist. Coppée was famed as le poète des humbles (the poet of the humble). His verse and prose focus on plain expressions of emotion, patriotism, the joy of young love, and the pitifulness of the poor. He continued to write plays, mostly serious dramas in verse, two in collaboration with Armand d'Artois. The performance of a short episode of the Commune, Le Pater, was prohibited by the government in 1889. Coppée published his first prose work in 1875 and went on to publish short stories, an autobiography of his youth, a series of short articles on miscellaneous subjects, and La Bonne Souffrance, a popular account of his reconversion to the Roman Catholic Church. His conversion was due to a severe illness which twice brought him close to death.

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