This image is the cover for the book Between the Night and Its Music, Wesleyan Poetry Series

Between the Night and Its Music, Wesleyan Poetry Series

A. B. Spellman is an acclaimed American poet, music critic, and arts administrator. He is widely recognized as a leading figure in the Black Arts Movement of the 1960s and 1970s, a cultural and literary movement that emphasized Black identity, pride, and artistic expression. Between the Night and Its Music brings together A. B. Spellman's early work with a collection of powerful new poems. Spellman's literary career took flight in 1965 with his debut poetry collection, The Beautiful Days, which introduced his distinctive voice blending elements of jazz, blues, and African oral traditions. In 1966, Four Lives in the Bebop Business established Spellman as a respected music critic and scholar. It was a groundbreaking work that chronicled the lives and struggles of four influential jazz musicians. Spellman held senior positions at the National Endowment for the Arts for thirty years with lasting impact on arts funding for inner cities and rural and tribal communities. In addition to poems from The Beautiful Days (1965) and Things I Must Have Known (2008), this book contains a trove of new and uncollected poems, confirming Spellman's continued centrality to contemporary American literature. This is an essential volume for readers already familiar with Spellman, and an excellent introduction for new readers. Lauri Scheyer's introduction situates Spellman's work within jazz writing, Black Arts, and American poetry broadly.

[sample text]

THE TWIST

a dancer's world
is walls, movement
confined: music

god's last breath.
rhythm: the last beating
of his heart. a dancer

follows that sound, blind
to its source, toward walls
with others. she cannot dance alone

she thinks of thought
as windows, as ice around the dance
can you break it? move

A. B. Spellman, Lauri Scheyer

ALFRED BENNETT (A. B.) SPELLMAN is both a founding member of the Black Arts Movement and one of the fathers of modern jazz criticism. Before beginning his thirty-year tenure at the National Endowment of the Arts, Spellman was an active poet, radio programmer, and essayist in New York, the poet-in-residence at the Morehouse College in Atlanta, and a visiting lecturer at Emory, Rutgers, and Harvard universities. He has also been a regular jazz commentator for National Public Radio and has published numerous books and articles on the arts, including The Beautiful Days, a chapbook of poems first published by the Poets Press in 1965, Four Lives in the Bebop Business, a classic in the field of jazz criticism that is now available as Four Jazz Lives, and the book of poems, Things I Must Have Known (2008). Poetry selections from Things I Must Have Known form the basis of the musical work, A Passion for Bach & Coltrane by Jeff Scott, whose work as a member of the Imani Winds ensemble is represented in the Smithsonian Institute’s National Museum of African American History and Culture.

Wesleyan University Pressn